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Episode 141:Establishing Scenes: Setting Up Desires, Character, Theme in Action in Colson Whitehead’s The Nickel Boys

Episode 141:Establishing Scenes: Setting Up Desires, Character, Theme in Action in Colson Whitehead’s The Nickel Boys

Continuing the series examining the art of the scene, Angie and Elizabeth delve into an early scene from Colson Whitehead’s Pulitzer Prize winning novel, The Nickel Boys. A deft scene by a highly skilled author. Elizabeth and Angie discuss how what a character wants in a scene ties into the themes that drive the whole book; the balance between abstract and concrete; choosing scenes that matter to create your story; changing and building desires; what marks the end of a scene and what happens in a scene; the definition of a sequence; how questions drive scenes and stories; setting up surprises and revelations so we believe them; character change; rising stakes and how they prevent repeat beats; how to integrate backstory actively in the moment it’s necessary to the present scene. Use this scene as a template to write your own, and your strength as a reader to inspire you! In other news, Angie is working on Math, Climate Change and Comedy and Elizabeth is expanding her definition of noticing…and affirming that reading counts in the work of a true writer.

Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival--everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.

The hosts:

Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.

Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.

Episode 141:Establishing Scenes: Setting Up Desires, Character, Theme in Action in Colson Whitehead’s The Nickel Boys

Episode 140:The Final Scene: Elizabeth Strout

After kicking off a series about scene in the last episode, Angie and Elizabeth introduce a specific scene, the final scene in Elizabeth Strout’s short story “The Sign” in her book Anything is Possible. The discussion reviews the criteria established in the last episode and uses these as a framework for analyzing how the scene works, touching on sequence, build, goal, desire, need, want, unexpected outcome,  surprise and discovery, change, subtext, complications, secrets and misunderstanding, obstacles, setting, details and action—and where we don’t need detail. It ends by encouraging you to write a scene--and “steal” anything that inspires you to write!

Links in this episode:

“Sonny’s Blues” in Going to Meet the Man by James Baldwin

“The Sign” in Anything is Possible by Elizabeth Strout

My Name is Lucy Barton by Elizabeth Strout

Angie’s new Voting Video

Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival--everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.

The hosts:

Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.

Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.

Episode 141:Establishing Scenes: Setting Up Desires, Character, Theme in Action in Colson Whitehead’s The Nickel Boys

139:Scene It All? What Makes Scene Work

Today’s episode informally kicks off a series where Angie and Elizabeth will be discussing scene, that key unit of storytelling across many formats and genres. As an overview, they present a number of elements of scene, including purpose, new information and forward movement of the story, character’s desire, and an acute focus on significant detail and action the two discuss. They are fans of scene and illuminate the power of scene, of moving from abstractions and generalizations to vivid action in your revisions. In addition, they discuss voting, videos, deadlines, focus and exploration, linearity v. simultaneity,  and pre-writing time--how much is enough?

Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival--everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.

The hosts:

Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.

Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.

Episode 141:Establishing Scenes: Setting Up Desires, Character, Theme in Action in Colson Whitehead’s The Nickel Boys

Episode 138: Change in Story and in the World!

On today’s episode, Angie and Elizabeth talk about what changes between the ordinary world that starts a story, and the new ordinary world where the characters end up, their limiting beliefs having been utterly challenged, and either changed or tragically failed to change. They look at a “what if” brainstorming exercise, the ways the beginning and end mirror each other, the ways limiting beliefs shape actions, the limits of backstory in understanding how a character internalized a particular message, and the uses of metaphor as learning devlises. This episode also gets behind #BlackoutBestsellerList, the movement to fill the Bestseller list with African-American authors this week by doing one of their favorite things: buying books. They also talk about some real challenges to creativity, and you might be surprised to learn that after they recorded this episode, Angie went and made a one-minute video, which you can see HERE, on The Daily Dose.

As always, send your comments and questions to questions@bookwritingworld.com

Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival--everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.

The hosts:

Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.

Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.

Episode 141:Establishing Scenes: Setting Up Desires, Character, Theme in Action in Colson Whitehead’s The Nickel Boys

Episode 137: Necessary Skills: Empathy and Reading #BlackLivesMatter

After a two-week hiatus, Angie and Elizabeth are back asking, how can a story-making show co-hosted by two white queer women serve this moment? They look at balancing forward movement with the state of the world, and then deep dive into the urgency of reading critically and writing cogently. As a reader and a writer: evaluate your sources, questions your biases and assumptions, look for your blind spots, develop empathy, and keep learning and discovering.

Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival--everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.

The hosts:

Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.

Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.