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Episode 28: What the Wolf and the Editor Know That You Must Learn. A talk with Dorothy Hearst.

Episode 28: What the Wolf and the Editor Know That You Must Learn. A talk with Dorothy Hearst.

We had a far-ranging conversation with the multi-talented author of the trilogy The Wolf Chronicles, professional developmental and acquisitions editor and now, first-time screenplay writer Dorothy Hearst. She shared how her ideas and inspirations arrive and develop, how science can thicken a plot, negative self-talk (the downfall of many writers), and so much more. From human-animal-plant co-evolution to character building to revision, myth and symbol, and the shape of story, we delved and discussed concerns of the writer. Then we turned to Dorothy’s expertise as an editor and crafter of compelling jacket copy and talked about the art of proposals and platforms and what the editor can tell us about how to succeed. She gives us her take-aways from being a hands-on editor of books already agented or purchased by publishers, as well as tips for writing a proposal that will sell--and tells us why even the best book can’t be purchased by every editor. And did I mention we cover a brief history of storytelling technologies, and where to find inspiration for audacity and fearless writing?

LINKS:


Spirit of the Wolves


The Science of the Magical


The Botany of Desire: A Plant's-Eye View of the World


The Truth about Dogs


The Hero's Journey


Grass


The Family Tree


When They Severed Earth From Sky

The International Wolf Conference

Avatar

A River Runs Through It 

A Bit of Fry and Laurie

http://DorothyHearst.com

Dorothy Hearst

Dorothy Hearst

Dorothy Hearst is the author of the Wolf Chronicles novels: Promise of the Wolves, Secrets of the Wolves, and Spirit of the Wolves, which tell the story how the wolf became the dog from the wolf’s perspective.  Narrated by Kaala, a young wolf living 14,000 years ago the books are based on the theory of wolf-human coevolution and explore our long relationship with wolves nad the wildness the represent.  Dorothy is an acquiring editor at Sounds True, a mission-driven publisher of titles that inspire, support, and serve personal transformation, spiritual awakening, and their expression in the world. She is a professional proposal writer and freelance developmental editor. Previously she was a Senior Editor at Jossey-Bass/Wiley.

Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival--everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.

The hosts:

Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.

Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.

Episode 27: Creative Problem Solving: a talk with filmmaker Juan Davis

Episode 27: Creative Problem Solving: a talk with filmmaker Juan Davis

Problems with sound? Extras don’t show up? In this far-ranging conversation with filmmaker Juan Davis,  a writer/ director with experience in sound, editing and just about every other area of film, we learn just how projects morph and problems can shape a stronger film in the end. From giving voice to the voiceless and showing a film about terrorism in troubled times to the art of transitions, arc and ambiguity, this conversation will inspire story makers of all stripes.

Juan is the writer/ director of a documentary, horror shorts, and a powerful new short film about a young middle eastern boy who witnesses war and is forever changed. He’s also just finished a feature script. We get the low down on the differences between documentary and narrative, and on Juan’s drafting and revision techniques, including reading the draft out loud to yourself, acting it out, the importance of taking notes as you go, and the depth of research he does. (You won’t want to miss the hilarious story of how Juan came to make a documentary.) Short film v. long? Juan talks about differences in set-up, hitting key points as fast as possible, starting with the most important part of the story right away, and getting your point across in a short time. We discuss the dearth of African-American horror filmmakers and why he's drawn to the genre and how he’s doing something different with horror, including reversing character expectations. We also speculate about the reasons behind the reemergence of exposition in written narrative, and the practice of stealing shots from admired films.

Links:

Juan-Davis.com

Twitter: @the1juandavis

Facebook: director.juan.davis


A Hero's Journey


On Directing Film

Story Logic and the Craft of Fiction

Laurie Broadnaux

Thaddeus Dickens

Thaddeus Dickens Jr.

Steven King

The Adventures of Tintin

Cinema Paradiso

Juan Davis

Juan Davis

Juan Davis was born and raised in South Boston, VA.  He is a veteran of the United States Air Force.   He is a graduate of Academy of Art University with a MFA in motion pictures and television. He also holds a BS from East Carolina University where his concentration was in media production.  He started his career as a video editor, editing for a long list of independent companies.     He currently resides in northern California and is an award winning filmmaker.  Some of his films include, short film "Lou's Prey"  nominated for best cinematography in Academy of Art University’s prestigious Annual Epidemic Film Festival.  It was also an official selection to the Hollywood Black Film Festival, acknowledged as the Black Sundance, the St Louis Black Film Festival and the Oakland International Film Festival.  His documentary film “The Peacemakers” was the recipient of the best documentary award at the Equality International Film Festival,the Audience Choice Award at the I Hella Love Shorts Film Festival in Oakland, CA and it was nominated for best documentary at the Academy of Art University Media Awards. His most recent film "Rebel Child" has been officially selected to 11 film festivals and has been the recipient of two awards and 5 award nominations. He has also collaborated with a host of other filmmakers taking on various roles on different productions in the San Francisco Bay Area.

Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival--everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.

The hosts:

Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.

Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.

Episode 26:   The Agent’s Perspective: What Aspiring Writers Need to Know Plus Lots of Great Information for Children’s, Middle Grade and YA Authors!

Episode 26: The Agent’s Perspective: What Aspiring Writers Need to Know Plus Lots of Great Information for Children’s, Middle Grade and YA Authors!

This was such a helpful and inspiring conversation with new literary agent Jennifer Soloway, who went to grad school with Angie and who shares her journey to becoming an agent, how she fell in love with the work, her process for selecting clients, how to pitch your work, what she looks for, how she edits, and so much more. This is a must-listen show for anyone looking for an agent and also for anyone writing children’s through YA literature (though lots of what she talked about applies to all stories). She tells you how to grab the attention of a reader and goes step by step through the query process--from your end and from hers. We talk about why you can’t chase the trends but must write the story you’re compelled to write, but we also look at what she’d love to see in her inbox and opportunities for YA. We dig into the differences between the various age levels of books, from the writer’s perspective, in terms of point of view, length, levels of violence and romance and so on. Plus creativity and craft tips, including: finding and identifying your inner youthful mindset, and what builds voice and how voice makes us love a character. Jennifer also talks about how to approach every negative as a positive in editorial work--what she calls the magic of revision. She’s a dynamite, uplifting guide to the business side of books.

Links

Memento Mori

The Catcher in the Rye

Planet Tad

Wonder

Make It Stick

Andrea Brown Literary Agency

Big Sur Writing Workshops

SF Writers Conference

Ethel Rohan

SCBWI

Elizabeth George

Great post about length

Surrogates with Bruce Willis

So Much Synth by Brenda Shaughnessy

Jennifer March Soloway

Jennifer March Soloway

JENNIFER MARCH SOLOWAY is an assistant agent, working closely with Executive Agent Laura Rennert. She enjoys all genres and categories, such as laugh-out-loud picture books and middle-grade adventures, but her sweet spot is young adult.

Jennifer is a suspense junkie. She adores action-packed thrillers and mysteries, full of unexpected twists. Throw in a dash of romance, and she’s hooked! She’s a sucker for conspiracy plots where anyone might be a double agent, even the kid next door. She is a huge fan of psychological horror that blurs the lines between the real and the imagined. But as much as she loves a good thriller, she finds her favorite novels are literary stories about ordinary teens, especially those focused on family, relationships, sexuality, mental illness, or addiction. In such stories, she is particularly drawn to a close, confiding first-person narrative.

Prior to joining ABLA, Jennifer worked in marketing and public relations in a variety of industries, including financial services, health care, and toys. She has an MFA in English and Creative Writing from Mills College, and was a fellow at the San Francisco Writer’s Grotto in 2012. She lives in San Francisco with her husband, their two sons, and an English bulldog.

Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival--everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.

The hosts:

Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.

Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.

Episode 25: Revolutionary Llamas and Sentient Squirrels: Plotting a Mystery and More. A talk with Nicholas P. Taylor

Episode 25: Revolutionary Llamas and Sentient Squirrels: Plotting a Mystery and More. A talk with Nicholas P. Taylor

Nicholas P. Taylor has an alias. The acclaimed author of two historical novels, Nick took up with mysteries under the name T.T. Monday. The second, Double Switch, was recently released, and we tracked him down to talk genre switching, research, the two plots you have to know, the art of the quick and dirty timeline, and the differences between a thriller and a mystery. We touched on the psychology of hyper-masculinity, character development and wish fulfillment, and of course, because we pride ourselves on our craft-focused but far-ranging conversations, sentient animals and communicative fungi. You’ll learn how fiction differs from life and why it should, the process of plotting a detective novel, and its difference from writing literary fiction, some rules for writing series, the necessity of throwing away pages and drafts, following character v following story, the importance of voice, and who was the first published author in California. Plus more, much more. Links Discussed:

The Confessions of Nat Turner

How to Write Killer Fiction

The Portable Veblen

Midnight Cowboy (Film)

A.S. Byatt

Travis McGee novels by John D. MacDonald 

Batman

Lauren Groff

I Am Trying to Break Your Heart A Film About Wilco by Sam Jones

Nicholas P. Taylor

Nicholas P. Taylor

T.T. Monday is the pseudonym of novelist Nick Taylor, author of The Disagreement (2008) and Father Junípero's Confessor (2013). Double Switch (2016) is the second novel to feature the Johnny Adcock, following The Setup Man (2014). He lives in California.

Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival--everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.

The hosts:

Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.

Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.