Episode 112: Like a Novel, Like a Movie?
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In today’s episode, Angie and Elizabeth discuss what it might mean when someone says a memoir is like a novel or a novel is like a movie. Hashing through the elements of shaping a true story into a compelling narrative, and the pros and cons of cross-genre identification, they look at what “good writing” means when lobbed at a television show. They play “novel neener” (a kind of “would you rather”), where Angie pushes Elizabeth to articulate which elements most make a story “like a novel.” The conversation digs into causality v. thematic organization, dramatic changes, definitions of creative nonfiction, stakes--and whether the blockbuster superhero movie glut stems from a failure to imagine stakes other than life-or-death. Elizabeth pitches her novel and Angie analyzes why people might say it sounds “like a movie.” Angie makes a claim that movies are more emotionally distant than novels. Steal This focuses on productivity this week. Finally, join Angie this Friday, Sept. 27, at 5 pm at the Mary Pickford in Cathedral City!
Links Discussed:
Lost in the Middle at Cinema Diverse, Palm Springs LGBTQ Film Festival
For They Know Not What They Do a documentary by Daniel Karslake
Annie Dillard The Writing Life
Jeanette Walls The Glass Castle
Stever Robbins Get It Done Guy on Mark Forster’s Speed-dating Your Tasks
Blake Snyder Six Things that Need Fixing
Emma Thompson in Remains of the Day
Don't forget to send in your questions!
Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival--everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.
The hosts:
Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.
Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.
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