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Episode  2: Christine Hyung-Oak Lee

Episode 2: Christine Hyung-Oak Lee

Christine is one of those overnight successes that is a decade in the making. Her essay about having a stroke at age thirty-three lead to a two-book contract: a memoir will be out in 2017 followed by a novel in 2018. She’s also a stellar presence on social media, one of those people you feel you’ve truly befriended because she’s so generous and funny and brilliant in her online personality, as in life. Speaking of social media, promotion in general was one of our topics.

Christine served as the fiction editor of Kartika Review, "a national literary arts magazine that publishes Asian Pacific Islander American fiction, poetry, creative non-fiction, and art," and she gave us tips from the submissions-receiving side of the long climb to publication. Hilarious and helpful.

We also talked about structure, omission and selection in writing memoir, asking your character who drives the book, character mischief, and character change in both fiction and memoir. We delved into the differences between journaling, blogging and memoir--as well as the author note itself. We considered the role of self-discovery and cribbing structure, and  the importance of Kurt Vonnegut.

Links

“I Had a Stroke at 33:” http://www.buzzfeed.com/xtinehlee/i-had-a-stroke-at-33#3zhfw3g

Kartika Review: http://kartikareview.com/

Christine has amazing bios, and offers a variety of versions. You can check them all out at her web site: http://www.christinehlee.com/

Christine Hyung-Oak Lee

Christine Hyung-Oak Lee

Christine Hyung-Oak Lee has a memoir (WHOLE 2017) and a novel (GOLEM OF SEOUL 2018), both of which are forthcoming from Ecco. Her short fiction and essays have appeared in journals and anthologies such as ZYZZYVA, Guernica,The Rumpus, The New York Times, Hyphen Magazine, BuzzFeed, and Men Undressed.

Born in New York City, Christine earned her undergraduate degree at UC Berkeley and her MFA at Mills College. She has been awarded a residency at Hedgebrook, and her pieces have been nominated for a Pushcart Prize and placed in competitions such as the Poets and Writers’ Magazine Writers Exchange Contest, Glimmer Train Fiction Open, and others.

Story Makers is a podcast that features in-depth conversations with accomplished writers, filmmakers and industry experts about story craft, technique, habit and survival--everything you need to know to stay inspired, connect to your creativity, find others’ wonderful stories and your own success.

The hosts:

Elizabeth Stark is a published, agented novelist and distributed filmmaker who teaches and mentors writers at BookWritingWorld.com.

Angie Powers is a distributed filmmaker and published short story writer with an MFA in creative writing and a certificate in screenwriting from UCLA who teaches story structure at BookWritingWorld.com.

Episode  1: Boris Fishman

Episode 1: Boris Fishman

Boris is charismatic, one of those charming, larger-than-life, generous-hearted human beings who is also a brilliant writer. Together, we discussed procrastination and the pros and cons of writing under contract, as well as the worth of work that never got published. Boris features some of his rejected pieces on his web site; find out why. We compared journalism to fiction writing, outlining to surprise (or maps to headlights). We touched on burying your ideas in a propulsive story, the lightbulb moment and unhappy women . . . We got into structure and readers’ questions and what to do when you are stuck. Some tips included taking time off between drafts and retyping the manuscript. When is the story over? When the character has lost something and learned something. Boris will inspire and delight you. Trust us.

 

Books

Don't Let My Baby Do Rodeo


Ron Carlson Writes a Story


The Last Flight of Poxl West


A Mind for Numbers


Zen Keys

Links

HD, poet

Paris review interviews

Boris Fishman

Boris Fishman

Boris Fishman was born in Minsk, Belarus, and immigrated to the United States in 1988 at nine. His journalism, essays, and criticism have appeared in The New Yorker, The New York Times Magazineand Book Review, The New Republic, The Nation, The London Review of Books, The Wall Street Journal, The Guardian, and other publications (seeOther Writing).

Boris received a degree in Russian literature from Princeton University. Afterward, he was on the editorial staff of The New Yorker, and edited “Wild East: Stories from the Last Frontier” (Random House). Boris received his MFA in fiction from New York University, and has received residencies and fellowships from the New York Foundation of the Arts and the Fine Arts Work Center in Provincetown, Massachusetts, among others.

His first novel, A Replacement Life (HarperCollins), was a front-cover review in The New York Times Book Review: “Is there room in American fiction for another brilliant young émigré writer? There had better be, because here he is. Boris Fishman’s first novel, “A Replacement Life,” is bold, ambitious and wickedly smart… The only problem with this novel is that its covers are too close together… Undoubtedly, comparisons will be made — to Bellow and the Roths (Henry and Philip)… [and] Bernard Malamud.”

It was also one of The New York Times‘ 100 Notable Books of 2014; a Barnes & Noble Discover Great New Writers pick; a best-of-2014 selection by The San Francisco Chronicle, Shakespeare & Co., and others; the winner of the VCU Cabell First Novelist Award and the American Library Association’s Sophie Brody Medal; a BuzzFeed 20-Under-40 Debut Writers selection; and a finalist for the National Jewish Book Award, the Sami Rohr Prize, and the Edward Lewis Wallant Award. It received raves from The New Yorker, NPR, NBC, The Wall Street Journal, The Los Angeles Times,NewsweekPublishers Weekly (starred review), MSN, Vogue, and others. His next, Don’t Let My Baby Do Rodeo, about a New Jersey couple that adopts a boy from Montana who turns out to be wild, will be out from HarperCollins on March 1, 2016.