Catch up on the latest episodes...
Join our far-ranging, fun and fascinating conversation with Lucy Jane Bledsoe on the occasion of her brand new historical novel, A THIN BRIGHT LINE, based on the true-life story of her aunt.
Kirsty Starkey works as a producer at BBC Radio 4’s acclaimed show Woman’s Hour, “the programme that offers a female perspective on the world.” She researches and develops stories, finds and interviews potential subjects, prepares the presenters for live on-air interviews, and more
This week’s three questions: Dialog, Dialog, and Writing More…
Episode 43: Creative Muscle Memory: Author Gretchen Atwood on Research, Proposals and Scenes for Non-fiction Books
We were thrilled to sit down with Book Writing World alum Gretchen Atwood to discuss her newly released book, Lost Champions: Four Men, Two Teams, and the Breaking of Pro Football’s Color Line, and get some great tips about balancing research and writing, evaluating and choosing your sources, making use of research to create scene, and where the line between imagination and invention falls in nonfiction.
This week we started a new element in Story Makers Show. Interspersed with the in-depth interviews with authors, filmmakers and industry professionals, we are going to offer brief podcasts that answer your questions about writing
With a deep background in both deadline journalism and mindfulness meditation, Jennifer Mattson teaches classes in getting unstuck that emphasize an acceptance of the cycle of getting stuck and unstuck.
Jean Kawahara is a documentary editor as well as a writer, and she had great insights into the process of shaping real life events into a story.
Episode 39: The Artist’s Ability: Shaping a Memoir, Shaping a Creative Life, a conversation with author Joyce Scott
Joyce has an amazing, important story to tell about an artist, Joyce’s twin sister Judy, who had so much against her–undiagnosed deafness, Down’s Syndrome in a time when differences were institutionalized, and years away from her family–only to find her artistic “voice” when in their middle age Joyce gained guardianship of Judy and brought her to California and to Creative Growth.
Guilt, failure, negative reviews… We dig into the good stuff and the hard stuff with the wonderful Brian Hurley, a publisher, editor and passionate reviewer of books, including what authors need to know going into publishing. We discuss why, when a book wins an award, it’s Amazon ratings will actually go down!
Episode 37: Shaping Memoir, Inventing Scene: A Discussion with Ground-breaking Feminist Economist Myra Strober
We had an inspiring and far-ranging conversation with feminist economist Myra Strober about her new memoir, Sharing the Work:What My Family and Career Taught Me About Breaking Through (and Holding the Door Open for Others). We examined differences between memoir writing, fiction, and academic writing, and how Myra used theme as a filter to shape and cut her memoir.
We broke open the traditional publishing/ self-publishing dichotomy in this conversation, having the most exciting discussion on platform building, purpose, marketing and creativity that maybe we’ve ever had. Nina straddles traditional publishing and self-publishing, doing well in both. Here, we really dig into those worlds and where they meet, where they part, and how they can work together. Nina showed us how to pitch fiction and non-fiction, what it really means to build reach and visibility as an author, and how to get inspired to do it.
Visit: http://www.storymakersshow.com/episode-36-breaking-down-traditional-and-non-traditional-publishing-with-nina-amir to learn more.
It was an honor and a joy to sit down (virtually) with Jabari Asim and talk about just how a man with five children and a big deal job manages to be so productive across so many genres.
Best-selling author of three novels and two story collections, Ann Packer sat down with us to talk about writing for herself on her own schedule, about two different kinds of revision, about having a sense of the emotional shape of a book before she begins.
Adam Wolpert is a painter who blogs beautifully about the creative process, and our conversation began by looking at the moment when you’re shifting out of a big a long extended project and finding the next one–something writers certainly face as well. This led into an exploration of the powers of creative constraints, of setting limits on your projects–and the unexpected and deep freedom that produces.
Heather Haggerty and Nanou Matteson are a superteam of film producers who brought us the recent award-winning comedy starring Rita Moreno and previous Story Makers podcast guest Steve Goldbloom. Their film East Side Sushi has also had remarkable success. We dig into the creative side of marketing your art and its connection to your values, about when and how to consider your audience, about keeping your budget small and your quality high.
We had a lively and important conversation with author, publisher and literary curator Peg Alford Pursell, about the publishing landscape and how writers can successfully interact with it. Peg, who runs the popular reading series Why There Are Words, is launching an independent press with the same name.
My conversation with Angie Powers, co-host of Story Makers Show, began with the process and pleasure of telling yourself a story. We discussed what she did and did not get from her MFA program, including an understanding of structure and revision, which led us into the art of revision and the relationship between revision and planning or structure.
We had such a rich and helpful conversation with the multitalented Janis Cooke Newman, author of memoir and novels, editor of the newly launched Technically Literate column of fictional short stories on CNET, and leader of LitCamp. We talked about the isolation of writing and ways to undercut that.